For you!

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Every now and then I get a (polite) email asking if I’d know book arts related places to see in Amsterdam and the rest of the Netherlands.
Also, when I moved here myself I got faced with the problem of finding the suppliers for my bookbinding materials.
Well, my virtual friend, here’s a little list to get you started. If you have additions to make, please let me know!

list of suppliers

Nina Judin May 2010

paper and artist’s materials

van Beek Art Supplies
Stadhouderskade 63-65
1072 AD Amsterdam
020-6621 670
www.vanbeekonline.com
sales@vanbeekart.com

van Beek Design & DTP Supplies
Weteringschans 201-205
1017 XG Amsterdam
020-623 9647

Cortina Papier
Reestraat 22
1016 DN Amsterdam
020- 6236676

Damen “Papier Royaal”
Noordeinde 186
2514 GR Den Haag
070-360 0166

Peter van Ginkel
Bilderdijkstraat  99
1053 KM Amsterdam
020-618 9827

Hoopman
Marnixstr.47
1015 VA Amsterdam
020-624 6045

Levant
Levantkade 85
1019 MJ Amsterdam
020-419 9618

Paper mill De Middelste Molen
Kanaal Zuid 499
7371 GL Loenen op de Veluwe
055-505 2911

van der linde
Rozengracht 36-38
1016 NC Amsterdam
020-624 2791

Vlieger
Amstel 34
1017 AB Amsterdam
020-623 5834

parchment and leather

Z.H. de Groot (perkament)
Heemraadssingel 255a
3023 CE Rotterdam
010-4253924

more

Boekie Woekie , artist’s books
Berenstraat 16
1016 GH Amsterdam
020-6390507

Minotaurus Bookshop
St. Antoniesbreestraat 3d
postbus 16477
1001 RN Amsterdam
tel. +31(0)20 6227748
www.minotaurusboekwinkel.nl

Museum Meermanno
Prinsessegracht 30
2514 AP Den Haag
070- 3462700
www.meermanno.nl

Royal Library
Prins Willem-Alexanderhof 5
2595 BE Den Haag
www.kb.nl

and – you can of course buy some hand tools and bookbinding materials at our atelier!

bookcloth

Ever wondered how to bind a book with single sheets? Or how to make a surprisebox? Well, wonder no more but head to the book arts blog of Paula Beardell Krieg, with the most useful tutorials! Happy hunting!

How to pare leather

I received this link today (from the BookArts-List), showing how to pare leather with a paring knife. While the video is very informative in its “how to”, let me add some “why”s to it.

1. Your paring knife should be as sharp as you can get it (or take it to a knife shop to be sharpened) – only then you can achieve the smooth paring shown in this video. If you’re sweating/ cursing/ crying over your leather while its stretching instead of being pared, your knife is dull.

2. Begin paring at an 45 degrees angle along the very edge of the leather, move gradually into the leather, just as the video shows. Why? You’re clearing space so that your parings can “go somewhere” as you’re working. Should you start paring without clearing out the edge first, you’d be cutting into, and through the leather.

3. Use a flat, hard surface to pare on. A slab of stone, or glass, would be ideal. The traditional paring stone is a litho stone – smooth. The smoother the surface, the smoother the paring (make sure leather shavings don’t get under the leather you’re paring, or else your pared edge will be full of “holes”), and your knife will stay sharper too, should it hit the stone.

I notice I’m getting carried away here now and will stop myself before I get into the zen of breathing, balancing your body and keeping your knife sharp while paring. Hoping this was of any help!

Book project film

A fun film to see the various stages of making a limited edition, private press book. For those of you looking for a Coptic binding tutorial, pay attention at 2minutes 20seconds to see the Coptic linkstitch in action!!!

Bibliography

Here’s a bibliography of bookbinding books. It is based on the bibliography we got for our BA study for bookbinding at Roehampton Institute (now University of Surrey) back in the good old days when the program was still on. I’ve made some additions to it afterwards.

If you know of a good bookbinding-related book that doesn’t appear on this list, please let me know!

My personal favourites are marked with *

BIBLIOGRAPHY : BOOKBINDING AND BOOKARTS

history of bookbindings and their decoration, culture of handbound books

Art Noveau and Art Deco book bindings: The French Masterpieces 1880 – 1940
As-Vijvers, Anne Margreet W.(1999): Miniaturen en Monnikenwerk, Scryption, Tilburg: Drukkerij Groels
Bearman, F. (1998): The Origins and Significance of Two Late Medieval Textile Chemise Bindings in the Walters Art Gallery, The New Bookbinder 18, 27-51
Bosch, G. Carswell, J. and Petherbridge, G. (1981) :  Islamic Bindings and Bookmaking, Chicago, University of Chicago
Brown, M.P. (1991): Anglo-Saxon Manuscripts, London: The British Library Board
Brown, M.P. (1990): A Guide to Western Historical Scripts from Antiquity to 1600, London, The British Library
Brownrigg, L.L. ed. (1990): Medieval Book Production: Assessing the Evidence, Los Altos and London: Anderson-Lovelace and The Red Gull Press
Burford, A. (1972): Craftsmen in Greek and Roman Society, London: Thames and Hudson
Castleman, R. (1994): A Century of Artist’s Books, New York, Museum of Modern Art
Compton, S. (1993): Russian Avant Garde Books, London, The British Library
Dahl, S. The History of the Book
De Hamel, C. (1993): Scribes and Illuminators, London , The British Museum Press
Diehl, E. : Bookbinding: Its History and Technique
Diringer, D. (1982): The Book Before Printing, New York, Dover Publications
Gentenaar,P. (ed.) (2004): Geest van Papier / Spirit of Paper, Compres BV,Leiden/Stichting Papiermanifestatie ‘94, Rijswijk
Gumbert, J.P. (1990): The Dutch and their Books in the Manuscript (?) Age, London, British Library
Haldane, D. (1983):  Islamic Bookbindings, London, Scorpion
Harthan, J.P. (1981): The History of the Illustrated Book: The Western Tradition, London: Thames and Hudson
Harthan, J.P. (1985): Bookbindings, London, HMSO
Lindsay, J. (1988): The Development of the Codex in the Western World, in The New Bookbinder 8, 9-18
Meehan,B.(1994): The Book of Kells, Thames&Hudson, London
Middleton, B.: Recollections: A Life in Bookbinding
Needham, P. (1979): Twelve Centuries of Bookbinding : 400 – 1600, New York and London: Pierpont Morgan Library and Oxford University Press
Pedersen, J. (1984) : The Arabic Book, Princeton, Princeton University Press
The New Bookbinder (journal of Designer Bookbinders) 1981- and continuing
Tidcombe, M. : Women bookbinders

design

Hochuli, J. and Kinross, R.(1996): Designing Books: Practice and Theory, London, Hyphen Press
Levy, D. (1994): Documents, Computers and the Craft of Calligraphy, The Scribe, no.61, Summer 1994
Mansfield, E. (1966): Modern Design in Bookbinding, London: Peter Owen
Tschichold, J. (1991): The Form of the Book, London: Lund Humphries
Tschichold, J. (1995): The New Typography , Berkeley and Los Angeles: California University Press

philosophy of craft

*Dormer, P. (1994): The Art of the Maker: Skill and its Meaning in Art, Craft and Design, London, Thames and Hudson
*Needleman,C. (1993):The Work of Craft, Kodansha America Inc., New York
*Pye,D. (1979): The Art and Nature of Workmanship, Cambridge University Press, Cambridge
Smith, P. (1974): New Directions in Bookbinding, London: Studio Vista
The New Bookbinder 1981- and continuing
*Yanagi,S. (1982): The Unknown Craftsman, Tokyo and New York: Kodansha International

structure and materials

Brownrigg, L.L. ed. (1995): Making the Medieval Book: Techniques of Production, Los Altos and London: Anderson-Lovelace and The Red Gull Press
Cockerell, D.(1991): Bookbinding and the Care of Books, London: Lyons and Burford
Gaur, A. (1979): Writing Materials of the East, London: The British Library
Greenfield, J. , Hille, J. (1990), Headbands – How to work them: Oak Knoll Books, Newcastle, Delaware
Gnirrep,W.K. , Gumbert,J.P., Szirmai,J.A. (1992): Kneep en Binding, Den Haag: Koninklijke Bibliotheek
Ikegami,K. , Stephan, B.B. (1986): Japanese Bookbinding – Instructions from a Master Craftsman, Shambhala Publications Inc.
James,A. (2000): The Handmade Book, New Holland Publishers, London
LaPlantz,S. : Cover to Cover, Lark Books (ISBN 0-937274-81-x)
Middleton, B.: The Restoration of Leather Bindings
Middleton, B.: A History of English Craft Bookbinding Technique
Smith, K.A. (1991): Vol.1 Non-Adhesive Binding, Keith Smith Books, Rochester, NY
Smith, K.A. (1984): Structure of the Visual Book, Keith Smith Books, Rochester, NY
*Szirmai, J.A. (1999/2000):  The Archeology of the Medieaval Book, Aldershot: Scolar Press
The New Bookbinder 1981- and continuing
Van Regemorter, Berthe (1993): Binding Structures in the Middle Ages – A Selection of Studies. Brussels & London, Bibliotheca Wittockiana and Maggs Bros

On the Swedish bookbinding site Bokbindarkompetens you can find a video tutorial to the japanese folding technique which produces a perfect concertina. Click here to go there : )

Happy folding!

This is a fun project to do when you’re on vacation and getting bored of just lying around. All you need is postcards, tape, a pen (for writing!) and scissors. Even with just two postcards you’ve already got a beginning for the holiday journal!

This image is of an opening in the book. With every postcard you create an illustration, the back side of the next card is your empty page to write on. Have fun!

Here some cards are already attached to each other. The idea is simple: cut little pieces of tape, adhere one half of a length under the previous card , the other half under the next card. That makes the first opening, or two-page spread of your book. With the third card you do exactly the same (one half of the length of the tape under card nr.2, the other half under card nr.3), but at a slightly other position. See the four rows of tape at the spine of my pile of cards? That are the two different tape positions, the outer two (closest to head and tail of the book), and the inner two (next to the first ones).

It’s dead easy. Try it! I find it easiest to work with the “spine” of the book towards me, sliding the piece of tape under the card, positioning the next card on top and folding the tape over the topmost card. Here are some more images to illustrate it: